Experimental films – Monte Carlo Film Festival http://montecarlofilmfestival.com/ Wed, 15 Sep 2021 23:36:08 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://montecarlofilmfestival.com/wp-content/uploads/2021/06/cropped-icon-32x32.png Experimental films – Monte Carlo Film Festival http://montecarlofilmfestival.com/ 32 32 The CSUSM School of the Arts returns with in-person and online events https://montecarlofilmfestival.com/the-csusm-school-of-the-arts-returns-with-in-person-and-online-events/ https://montecarlofilmfestival.com/the-csusm-school-of-the-arts-returns-with-in-person-and-online-events/#respond Wed, 15 Sep 2021 23:33:35 +0000 https://montecarlofilmfestival.com/the-csusm-school-of-the-arts-returns-with-in-person-and-online-events/

An overview of the fall 2021 events of the School of the Arts of the CSUSM

As CSUSM begins to shift to traditional online learning, School of Arts departments such as Theater Arts are slowly shifting to in-person performances and events. In-person performances provide more opportunities for actors to gauge audience reaction and connect with an audience. However, the majority of events still take place online, allowing many students to participate in events from the comfort of their own homes. These are the events that take place this semester from this edition

Arts and Conferences Series CSUSM

“Staying Safe When Relationships Go Digital”: This event is hosted by the Arts and Lectures series and features Adam Dodge. The event shows how, even though the majority of dating has gone digital, domestic violence and harassment still exists, even within a digital platform. The event will take place on October 5 at 6 p.m. via Zoom.

“Global Movements for Social Justice”: This event features Dr Antonio De La Garza, Henry Edward Frank, Dr Meshack Simati and Dr Darren Byler. Each speaker comes from a different cultural background, sharing their experiences as advocates for social justice. This event takes place on October 14 at 12:00 p.m. via Zoom.

“Tell Them Where You’re From: Teaching Our Lives / Stories”: This event features Dr. Irene Sanchez, Professor of Ethnic Studies at UC Riverside as well as the Azusa Unified School District. Dr Irene Sanchez stresses the importance of showing how history impacts the lives of students and the importance of inspiring younger generations to want to participate in social change and justice. This event takes place on October 19 at 6:00 p.m. via Zoom.

“Chola Vida: Homegirls Navigating the Barrio to Academia”: Chola Vida is an organization that supports women who are actively or formerly in gangs and encourages each other to attend college. In this event, Chola Vida will draw attention to the often overlooked narrative of women in gangs. This event takes place on October 19 at 6:00 p.m. via Zoom.

“Rythmic Ancestries: Film Screening with Choreographer / DJ / Curator Jose E. Abad”: This event highlights Jose Esteban Abad, an advocate for the LGBTQ + community through dance and music. Abad will screen three of their short films as well as a Q&A. This event will take place on November 1st at 2:00 p.m. via Zoom

“Deported”: this is the screening of a short film entitled “Deported” by filmmakers Rachelle magloire and Chantal Regnault. The film explores deportation from the perspective of those who grew up in the United States and suddenly have to leave it all behind. The event will also feature Magloire, the director of the film, and Guerline Jozef, an immigration activist. This event takes place on November 17 at 5:30 p.m. via Zoom.

Credit for information on these events goes to CSUSM Arts and Lectures Series. To learn more, visit their website at https://www.csusm.edu/al/index.html.

CSUSM Literature and Writing Studies

Community and World Literary Series: “Black Took Collective Event”. This event is a performance by Black Took, a group of black LGBTQ poets who focus on exploring race, gender and sexuality with experimental performances. Black Took uses dance, poetry, film and writing to engage in conversation with his audience. The event will take place via Zoom on December 9 from 6 p.m. to 8 p.m.

Credit for the information for this event belongs to the Department of Literature and Writing Studies at CSUSM.

Many other departments have yet to announce other performances and events for the fall semester 2021, be sure to stay up to date on each department’s website, as well as with the Cougar Chronicle for more. School of the Arts events.

The Cougar Chronicle: The Independent Student News Site at California State University, San Marcos

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Evangelion: each pilot of Eva, classified by skill https://montecarlofilmfestival.com/evangelion-each-pilot-of-eva-classified-by-skill/ https://montecarlofilmfestival.com/evangelion-each-pilot-of-eva-classified-by-skill/#respond Sat, 11 Sep 2021 19:12:14 +0000 https://montecarlofilmfestival.com/evangelion-each-pilot-of-eva-classified-by-skill/

The Neon Genesis Evangelion The franchise is one of the best known and most influential mecha anime of the genre. He is recognizable for his unique designs for Eva and Angels units, as well as for his deep exploration of philosophical themes. Many also flock to its likable characters and the intrigues that surround them.

RELATED: 10 Depressing Mecha Anime That Aren’t Neon Genesis Evangelion

Between the original television series and the Reconstruction of Evangelion movies, there are many Eva pilots of different skill levels. Some excel at their jobs, others fall apart. On top of that, some of the show’s most iconic characters are completely different in the show and the movies.

Warning: this listing contains big spoilers for the original Neon Genesis Evangelion and The end of Evangelion, as good as Reconstruction of Evangelion movie theater.


6 Toji Suzuhara fails as a pilot

Evangelion Toji watching during a sunset

In the original series and Rebuild movies, Toji Suzuhara is portrayed more as a tyrant than someone the audience wants to root for, as he punches Shinji in the face quickly. However, after witnessing what Shinji goes through while piloting an Eva, he quickly changes his tone and the two, along with Kensuke, become good friends.

However, the films diverge from Toji’s original screenplay. In the series, Toji is selected as Eva’s fourth pilot and is assigned to Eva Unit-03. Unfortunately, things go very wrong, very quickly, as the unit is possessed by an Angel and goes on a rampage. Shinji is sent to Unit-01 to fight the Angel, not knowing who is inside the input socket.

Shinji refuses to attack the Eva, not wishing to harm another human. His father has other plans and immediately takes manual control of Unit-01 and destroys the creature. Toji is seriously injured in the battle, and his fate is ultimately unknown as he no longer appears physically in the series.

Although Toji does not pilot any Eva units in the Rebuild series of films and his inability to control Unit-03 is not his fault, he is by far the least skilled pilot. After all, he has no experience and never even gets the chance to try piloting.

5 Kaworu Nagisa is not who he says he is

Evangelion Kaworu looks at the camera with Earth in the background

Kaworu Nagisa’s character is similar in both the original anime and the Rebuild series in that it is later revealed that he is, in fact, an angel in human form. That and his relationship with Shinji are pretty much the only things the two versions of the character have in common. In the animated series, Kaworu is chosen as the fifth child and must pilot Unit-02 while Asuka recovers.

Although he technically never flies an Eva, he is still able to control Unit-02 and have her fight Shinji so Kaworu can achieve what he believes to be Adam. However, after finding out that this creature is Lilith, he asks Shinji to kill him. He is reluctant at first but follows up on Kaworu’s final request.

In the Rebuild films, Kaworu and Shinji together pilot the Eva Unit-13 in pairs. Gendo asks the two to remove a spear from Lilith. Kaworu hesitates, but Shinji insists on completing his mission. Asuka, Mari, and Kaworu all try to stop him, but Shinji inadvertently causes the fourth impact by withdrawing the spear. Kaworu forces their Eva to stab herself, then dies from an explosive neck strap around her throat.

While Kaworu’s driving prowess isn’t particularly impressive in either movie, his ability to keep control of any Eva makes him a fairly skilled pilot.

4 Shinji Ikari is an imperfect pilot

Shinji of Evangelion

As the protagonist of the entire franchise, you would expect Shinji Ikari to be the best Eva pilot there is. However, this is far from the truth. With his pacifist nature and inability to overcome his fears, he is a deeply flawed pilot in both the original series and the Rebuild movie theater.

RELATED: Neon Genesis Evangelion: 10 Things Everyone Is Wrong About Shinji

Shinji frequently disobeys orders and refuses to listen to those who care about him, often resulting in dire consequences, including the third and fourth impacts. Shinji has almost no restraint, and when things aren’t going his way, he often slips into a deep depression, during which he just sits there in self-pity.

However, Shinji quickly adapts to piloting the Eva Unit-01 and is even able to drive the machine crazy. Although he is not the most gifted pilot, he does demonstrate some skill.

3 Rei Ayanami was created for one purpose

Evangelion Rei in plugsuit with the moon in the background

Rei Ayanami is the first child and the first pilot of Eva Unit-00. While she is seriously injured when the audience is first introduced to her, she then shows great skill in piloting.

She uses a shield to protect Shinji from an angel attack, allowing her to successfully destroy him. She is also tasked with protecting Shinji and Kaworu in the third film and shows off her prowess in battling Mari and Asuka. While she is engaged in the fight against these two senior pilots, she is able to defend herself long enough for Gendo’s plan to succeed.

However, it is later revealed that she is so powerful because she is a clone of Shinji’s mother, which means that she was created specifically to be a good pilot. Despite this, Asuka and Mari display substantial natural skills when it comes to controlling their own Eva units.

2 Asuka Langley is naturally talented

Evangelion Asuka in Plugsuit stands confidently

Asuka is one of NERV’s most valuable assets, as she is one of their most skilled pilots. In the original series, Asuka Langley Soryu is extremely self-confident. During her first appearance, she meets Shinji, Misato, Kensuke and Toji aboard an aircraft carrier. The ship is attacked by an Angel, and Asuka does not hesitate to engage in Unit-02.

Although she is extremely brash and self-confident, she also carries a great deal of trauma and insecurity with her. This is shown by the way she practically stops when Shinji overtakes her later in the series. However, in the movie, The end of EvangelionAsuka regains confidence and flies Unit-02 once more, taking down nine mechs on her own. Unfortunately, this victory was short-lived as his Eva ran out of power soon after.

RELATED: Neon Genesis Evangelion: 10 Things Everyone Is Wrong About Asuka

In the Rebuild films, Asuka is first shown in a battle with an angel. Rather than needing Shinji’s help, Asuka Langley Shikinami takes down the monster on her own. She later fulfills the role Toji played in the original series, as she is selected as the pilot of Experimental Unit-03 which is possessed by an angel.

As the resulting battle puts Asuka off duty a bit, she returns stronger than ever and fights just as fiercely. On top of all this, she forces Shinji to confront his own mistakes and return to Misato aboard the Wunder.

Her skills in these films far exceed her abilities in the original series, as she frequently faces angels alongside Mari, and is even one of the last pilots standing during the decisive battle of the fourth film.

1 Mari Makinami is the most qualified pilot

Evangelion Close up of Husband smiling in front of the camera

Although Mari Illustrious Makinami does not appear in the original animated series, she is by far the most skilled pilot in the franchise. She demonstrates an unrivaled understanding of Evangelion units, going so far as to maintain control when activating a unit’s “beast mode”.

In the Rebuild movies, Mari is able to take down an angel while piloting Asuka’s Unit-02 as easily as she can while piloting her own Unit-05. She also later piloted Unit-08 to aid Asuka in her mission to rescue Unit-01 and prevent Shinji from inadvertently initiating the Fourth Impact.

In the final film, 3.0 + 1.0 Three times once upon a time, Mari and Asuka are the two leading the attack on NERV to stop Gendo. After Shinji restores the world without Evangelions, Mari lands his unit in the ocean in front of Shinji and comes out just before it ceases to exist.

They are later shown as adults at a Tokyo station and are the only two who remember everything that happened. Husband takes Shinji’s hand and leads him out of the station so the two can experience the new world together.

NEXT: NGE: 5 Ways End Of Evangelion Was A Perfect Endgame (& Why Three Times At A Time Is Better)

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Movies to watch if you love birds of prey https://montecarlofilmfestival.com/movies-to-watch-if-you-love-birds-of-prey/ https://montecarlofilmfestival.com/movies-to-watch-if-you-love-birds-of-prey/#respond Wed, 08 Sep 2021 18:43:00 +0000 https://montecarlofilmfestival.com/movies-to-watch-if-you-love-birds-of-prey/

When a mission to establish an outpost on Earth goes haywire, an alien known as B-127 collapses from his wounds and transforms into a yellow Volkswagen Beetle. Years later, a young teenage girl named Charlie (Hailee Steinfeld) discovers the Beetle in a junkyard near a small Californian seaside town. In the process of befriending B-127, whom she nicknames Bumblebee, Charlie accidentally activates a signal alerting enemy aliens to B-127’s whereabouts.

While the similarities between “Bumblebee” and “Birds of Prey” aren’t immediately obvious, on closer inspection, the couple have a lot in common. Both films are late entries in successful franchises that historically have been marketed to young men. Both films focus on female lead roles and enjoy a distinctly different tone than their predecessors. Oh that’s right, and they were both written by screenwriter Christina Hodson.

“Bumblebee” and “Birds of Prey” offer refreshing, somewhat cynical, and smaller scale to bombastic (and often misogynist) franchisees. In other words, these are the movies that people who “don’t watch the DC / Transformers movies” might actually enjoy. If “Birds of Prey” sounded like a palette cleaner, we highly recommend you try the ridiculously charming “Bumblebee”.

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Candyman and the questionable calculation of horror with racism https://montecarlofilmfestival.com/candyman-and-the-questionable-calculation-of-horror-with-racism/ https://montecarlofilmfestival.com/candyman-and-the-questionable-calculation-of-horror-with-racism/#respond Wed, 01 Sep 2021 23:04:26 +0000 https://montecarlofilmfestival.com/candyman-and-the-questionable-calculation-of-horror-with-racism/

Foree, who was actually in the same civil rights activist and theater group in Harlem as Jones, says he brought his outrage at racial inequality to his performance as Peter, who takes on the zombie hordes with a calm authority. “Every African American in those years was angry,” he told BBC Culture. “You couldn’t help but carry the anger during those years. It was a time for heroes and young men who wanted to go out and change the world.” When he was cast for the protagonist role in his mid-twenties, he was keenly aware that this was an unusual role for a black actor in the 1970s. “[In films] there would be a black person here, the black token [person] there, and that was about it. So there wasn’t a lot of work for everyone. People just weren’t used to seeing black [actors] do a lot, or you were more of a curiosity than anything else. Foree reveals that he didn’t even expect the film to be released in the US due to its violence, but it turned out to be a huge hit and resonated with black viewers long afterward. “I later found out that so many African Americans were so happy and in awe that I survived. And they were proud of it; it was something of an accomplishment in their eyes… a lot of african-americans approached me and said, “hey man, you been through that. You are the first African American to experience a horror movie. ‘”

But while Dawn of the Dead should have been a turning point for racially enlightened horror, it turned out to be a false dawn – for years afterward, black actors continued to be invisible in the genre or to play disposable and stereotypical characters.

In the 1990s, a few other black actors began appearing in American horror films, one of which was Spike Lee’s 1995 anthology film Tales from the Hood, which featured a quartet of all-centric scary stories. on African Americans, and highlighted issues such as police corruption, institutional racism and gang warfare. But perhaps the most significant “dark horror” of the time, although directed by a white filmmaker, was the original Candyman. However, while by centering the dark trauma he did something new with the genre, it ultimately remained very regressive, with its central plot of a white woman being the victim of an African-American antagonist. “It’s a good example of a movie that really wanted to have a sophisticated take on racing,” says Due. “There are times he accomplishes this, but at the same time is a victim of racial tropes. It’s a story that visually presents itself almost as if it’s a dark story. But it’s really not a dark story. . “

An actress sidelined

Another 1990s Hollywood horror starring a black protagonist was The Craft (1996), the now cult teen movie about a high school witch clan, including rising mixed-race star Rachel True. However, as True attests, the portrayal of her character Rochelle was very problematic: the script did not give her a backstory, or a family, unlike her white peers, a sketchy characterization that was underscored by a particular scene, in which a man the character introduces the new girl Sarah to the coven and gives her a description of the other two witches, but doesn’t even mention Rochelle. “At the time, it was 1000% the norm that my black character [would be treated this way]”True told BBC Culture.

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Four / four presents OPEN AIR with Melanie Charles, Kayla Farrish, Moor Mother and Rena Butler https://montecarlofilmfestival.com/four-four-presents-open-air-with-melanie-charles-kayla-farrish-moor-mother-and-rena-butler/ https://montecarlofilmfestival.com/four-four-presents-open-air-with-melanie-charles-kayla-farrish-moor-mother-and-rena-butler/#respond Tue, 31 Aug 2021 00:36:24 +0000 https://montecarlofilmfestival.com/four-four-presents-open-air-with-melanie-charles-kayla-farrish-moor-mother-and-rena-butler/

Four / four Presents, a curatorial platform that commissions collaborations between musicians, choreographers and dancers, is producing its first series of collaborative outdoor live performances this summer called Open Air.

The series offers artists the opportunity to connect and re-create new works in a live setting, breaking out of their usual collaborating circles and expanding their network and audience. Upcoming performances include jazz, soul, and experimental singer and flutist Melanie Charles and choreographer Kayla Farrish Sunday September 12 (originally scheduled for August 8), and musician and poet Moor Mother and choreographer Rena Butler on Tuesday September 21 (originally scheduled for September 15).

four / four will broadcast the shows live and film each performance for audiences who are unable to experience the event live. Past outdoor performances featured a singer-songwriter Madison McFerrin with choreographer / dancers Samantha figgins and Jessica pinkett at Jackie Robinson Park in Harlem (June), and experimental harpist Mary Lattimore and choreographer Loni Landon at Green-Wood Cemetery in Brooklyn (July).

Since Four / Four began his journey in May 2020, he has been tasked with creating works for organizations such as Central Park SummerStage and the Brooklyn Public Records Concert Hall, where he has presented a music and dance series. digital files titled TETHERED. four / four brought together musicians and dancers from around the world to collaborate on films for these organizations featuring artists such as Jon batiste, Madison McFerrin, Charlotte Dos Santos, L’Rain, Xenia Rubinos, Samora Pinderhughes, and Rafiq Bhatia and Ian Chang (of Son Lux), and dancers from Alvin Ailey, Batsheva Dance Company, Hubbard Street Dance Chicago, Martha graham Dance company, Nederlands Dans Theater and others.

OUTDOOR SERIES: SEPTEMBER 2021

Sunday September 12 at 5 p.m.

Melanie Charles and Kayla Farrish

Maria Hernandez Park, Bushwick (Knickerbocker Avenue and Starr Street, Brooklyn)

Free with RSVP / $ 25 reserved seat

Tuesday September 21, 7 p.m.

Moor Mother and Rena Butler

Brooklyn Bridge Park, Pier 1, Dumbo (2 Furman Street, Brooklyn)

Free with RSVP / $ 25 reserved seat

To book, go to fourfourpresents.com/events.

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PrideArts announces festival of three queer documentary feature films https://montecarlofilmfestival.com/pridearts-announces-festival-of-three-queer-documentary-feature-films/ https://montecarlofilmfestival.com/pridearts-announces-festival-of-three-queer-documentary-feature-films/#respond Sat, 28 Aug 2021 14:08:16 +0000 https://montecarlofilmfestival.com/pridearts-announces-festival-of-three-queer-documentary-feature-films/

PrideArts today announced a documentary film festival relating to facets of queer life in America that have been largely unexplored in the mass media. The 11-day film festival will include the feature documentary DYKES, CAMERA, ACTION! – a history of lesbian cinema by the women who made it, PS. BURN THIS LETTER, PLEASE – a profile of drag queens from the 1950s, when public cross-dressing was illegal; and APPROPRIATE PRONOUNS – a look at some of the transgender Americans serving as ordained ministers of the Church. The first two will be available online for 11 days, from September 19 to 29. PROPER PRONUNS will be broadcast for eight days, from September 20 to 27. The admission price for each film is $ 12.00 per film. Films can be purchased and viewed at https://www.goelevent.com/pridearts/e/Search

DIGES, CAMERA, ACTION! details the origins and history of lesbian-themed cinema, noting that lesbians don’t always see themselves onscreen. But between Stonewall, the feminist movement and the experimental cinema of the 1970s, they built visibility and transformed the social imagination on queerness. Filmmakers Barbara Hammer, Su Friedrich, Rose Troche, Cheryl Dunye, Yoruba Richen, Desiree Akhavan, Vicky Du, film critic B. Ruby Rich, Jenni Olson and others share moving and often hilarious stories from their lives and discuss the way they expressed themselves. queer identity through cinema.This feature-length documentary covers the history of queer cinema from its beginnings as a marginalized subculture until the 1990s, which saw the rise of new queer cinema, to the present day. The film examines how female directors have contributed to this genre and emphasizes the role the media play in portraying sexuality and gender, highlighting the film’s power to shape our perceptions of each other. others. Visually, this documentary comes to life on screen through captivating and intimate original interviews interspersed with emotionally charged archival footage, photographs, ephemera, inspired music and film clips.

PS BURN THIS LETTER PLEASE is the story of a group of New York drag queens in the 1950s, a time before Stonewall when cross-dressing in public was illegal. A mailbox, kept a secret for nearly 60 years, sparks a 5-year exploration into a part of LGBT history that has never been told. Using original interviews, never-before-seen footage and archival photographs, and stylized reconstructions, PS BURN THIS LETTER PLEASE recreates this pre-Stonewall era as Lennie, Robbie, George, Michael, Jim, Henry, Claude , Tish and Terry – former drag queens now in their 80s and 90s, reveal how they survived and thrived in a time when drag queens were both revered and vilified, even within the gay community. The government tried to destroy them, then history tried to erase them, now they can tell their story for the first time.

The 2020 documentary PROPER PRONOUNS observes the lives of six North Carolinians who are among the 30 ordained transgender ministers in the United States. Filmmakers Meg Daniels and Mania Robinson shot the film over a two-year span, capturing in detail the journey of Dawn Flynn, who was identified at birth as a male and lived as Duane Flynn. Duane was leading a double life and practicing ministry when he was unmasked by a barber. It cost him his pastoral license, his ministry, threatened his marriage to Pam and made him wonder if life was still worth living. After therapy and deep self-reflection, Duane fought back, moved on to Dawn, and began her journey to get her life back on track. She finally found the courage to embrace his truth. And she found the calling to help others embrace theirs.

Access to each of the documentaries will be $ 12.00, which will allow viewing of the two purchased for a full week – allowing audiences greater flexibility to watch the films at their leisure. Tickets and more information will be available shortly on www.pridearts.org.

PrideArts will also be hosting a short film festival from November 8 to December 5. The company is accepting applications until September 8 and will announce the selections shortly thereafter.
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Bollywood bets big on patriotic sagas https://montecarlofilmfestival.com/bollywood-bets-big-on-patriotic-sagas/ https://montecarlofilmfestival.com/bollywood-bets-big-on-patriotic-sagas/#respond Wed, 25 Aug 2021 09:11:30 +0000 https://montecarlofilmfestival.com/bollywood-bets-big-on-patriotic-sagas/

New Delhi: Bollywood is ready to bet bigger on the proven strategy of patriotic and nationalist films in the post-covid months to bring audiences back to the cinema.

Filmmakers and trade experts have said that films like Kangana Ranaut’s Tejas where she plays a fighter pilot, the biopics on Sam Maneckshaw and Sardar Udham Singh, both starring Vicky Kaushal, the film about the freedom fighter Durgawati Devi and Ajay Devgn’s film about the India-China Galwan Valley clash , among others, should attract viewers feeding on their sense of pride for the country and the war heroes.

Films about patriotism did well in theaters earlier. Producers are also excited about response films like Gunjan Saxena – The Kargil Girl and Shershaah have seen it on video streaming services lately. Additionally, the Cinematograph Amendment Bill, if approved, will eliminate the possibility of creating niche experimental cinema, trade experts have said.

“All Indians are inherently patriotic and this positive feeling that unites communities will play a very big role in bringing people back to the movies, especially after a period of loss and death when they are looking for something to celebrate or to look forward to,” said the filmmaker. Milap Zhaveri including John Abraham-starrer Satyameva Jayate 2 is ready to be released. Zhaveri, however, pointed out that there are different genres of upcoming patriotic movies, from biopics to a sports movie like ’83 to a commercial artist like Satyameva Jayate 2. “Cinema is a mass consumption medium and when audiences return to the cinema they would want something larger than life that feels like we are one. Nationalist films lend themselves easily to this, ”he added.

Atul Mohan, editor-in-chief of trade magazine Complete Cinema, said the patriotic film genre is here to stay, not only because people love stories of inspiring personalities, but since cinema has always reflected the mood. of the nation, one that is being driven by the current government, is definitely wearing its patriotism up its sleeve. “These films have a good track record, especially with stars like Akshay Kumar. People want value for money, and there’s that sense of community pull and adrenaline rush that national pride brings, ”Mohan added.

A senior studio executive, who spoke on condition of anonymity, admitted that it made sense to invest in these films because of their ability to distract people from day-to-day issues and the fact that they work well for the masses.

Film critic Manoj Kumar R, however, pointed out that while many filmmakers have jumped on the bandwagon to make these chauvinistic films in the past, the nearly two years of covid have changed audiences’ tastes. “People have been exposed to a lot of great content on OTT platforms and it will change the way they view the world. The filmmakers could take a brutal shock because viewers may not tolerate the kind of nonsense they did earlier, ”Kumar pointed out.

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Earth’s Mightiest Heroes, Ranked (According to IMDb) https://montecarlofilmfestival.com/earths-mightiest-heroes-ranked-according-to-imdb/ https://montecarlofilmfestival.com/earths-mightiest-heroes-ranked-according-to-imdb/#respond Sun, 22 Aug 2021 20:30:00 +0000 https://montecarlofilmfestival.com/earths-mightiest-heroes-ranked-according-to-imdb/

In the midst of Phase One of the Marvel Cinematic Universe, an animated series was created to capitalize on the hype of the Marvel characters. The result was an animated show titled Avengers: Earth’s Mightiest Heroes which isn’t much discussed but has a 100% rating on Rotten Tomatoes.

RELATED: Jupiter’s Legacy & 9 Other Superhero Shows Canceled After One Season

Sadly, the series only lasted for two seasons before being canceled following Marvel’s merger with Disney to be relaunched as a quasi-sequel series. Meeting vigilantes. The original race remains a fan favorite with many well-regarded episodes featuring iconic Marvel superheroes and villains.


ten The Man Who Flew Tomorrow (S1, E17) – 8.5

Kang the Conquerer showing the Avengers a vision of the future in Avengers: Earth's Mightiest Heroes

Before Loki the series presented him, Avengers: Earth’s Mightiest Heroes made the mighty Kang The Conqueror the villain of a multi-episode saga. It started with The man who flew tomorrow, taking his time to make the villain a mighty and towering force for the Avengers to fight.

What sets this episode apart is how Kang works. He doesn’t just show up and start fighting the Avengers; instead, he tries to reason with them by showing them their future from a destroyed Earth. Of course, the Avengers refuse what begins the war against Kang; showing that Kang is more than a stupid killer and believes he is helping the universe by conquering the past.

9 The Kang Dynasty (S1, E19) – 8.5

The Avengers in their spacesuits in Avengers: Earth's Mightiest Heroes

In the latest episode of the Kang saga, the Avengers use their new artificial intelligence Ultron to fight Kang aboard his own ship. It turns out to be an action-packed climax with a lot of suspense, but it did come with a few twists and turns, continuing to show villainous Kang some depth.

Similar to the Marvel Cinematic Universe, it not only provides a suspenseful superhero story, but it sets up storylines for the future of the series. The biggest and most obvious being Ultron, created by Ant-Man as Kang warns the Avengers against the Skrull invasion.

8 Ultron-5 (S1, E22) – 8.6

Wasp confronting Ultron in Avengers: Earth's Mightiest Heroes

Hank Pym AKA Ant-Man seems to have been too successful in creating Ultron. He begins to agree that humanity is too violent and has passed the point of no return, so he rebels against the Avengers, starting his plot to destroy all of humanity. This is the start of the Ultron saga of Earth’s Mightiest Heroes.

Although Ultron is in his prime form, he turns out to be an intimidating villain: emotionless and cold. He is able to easily grab Captain America’s shield and kill almost all Avengers in different ways, all in one body. It makes it scary when the episode ends with Ultron programming uploaded to the internet.

7 Avengers Assembly (S2, E26) – 8.7

All the Avengers reunited in Avengers: Earth's Mightiest Heroes

It was the last episode of Earth’s Mightiest Heroes before it was canceled and it features the Avengers fighting the great Galactus alongside many heroes they’ve met in the past, including Spider-Man, Wolverine, the Fantastic Four, and even the Heroes For Hire.

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This episode was to the animated series what Avengers: Endgame was at the MCU, the massive culmination of two build seasons. A little like End of GameIt was quite the payoff with a plethora of action sequences and Galactus acting as the penultimate villain in this universe.

6 Who do you trust? (S2, E7) – 8.8

Avengers show distrust of Hawkeye in Avengers: Earth's Mightiest Heroes

One of the largest sagas in Earth’s Mightiest Heroes is the Skrull saga that started with “Who Do You Trust?” Adopt a claustrophobic thriller similar to that of John Carpenter The thing, this episode is praised for creating suspense and paranoia as the Avengers try to figure out who on the team is a Skrull disguised as the Perfect.

Part of this comes from voice actors who clearly understand their characters and give believable performances. At first glance, it’s really hard to tell who the Skrull is and who is an Avenger due to the chaotic outlook.

5 Infiltration (S2, E11) – 8.8

Nick Fury and Quake investigate who a lookalike is in Avengers: Earth's Mightiest Heroes

With Carol Danvers and the always ominous Doctor Doom returning as recurring characters, the Skrull saga continued with Iron Man trying to find a way to detect the Skrulls. Carol Danvers’ Ms. Marvel takes the lead against the Skrull invasion as the Avengers all turn out to be Skrulls in disguise, trying to use their disguises to get Vibranium for their invasion.

Like most episodes of the Skrull saga, Infiltration balances the action of the superheroes with surprisingly gripping drama as the heroes attempt to defeat the invaders using their wits. Doctor Doom is a welcome side villain, showing just how vast this animated universe really is.

4 Secret Invasion (S2, E12) – 8.8

Captain America fights his Skrull doppleganger in Avengers: Earth's Mightiest Heroes

The full invasion of the Skrulls takes place and it turns into an all-out war between them and the Avengers. After several episodes of buildup and tension, Secret Invasion ends the Skrull Saga with a much more action-packed climax.

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Secret Invasion shows how threatening the Skrulls are and why this saga was so beloved. This also serves as a reward since the Skrulls had been promised since the Kang Saga.

3 New Avengers (S2, E23) – 8.8

The new Avengers reunited in Avengers Earth's Mightiest Heroes

In a reverse scenario of Avengers: Endgame, all of the original Avengers are gone thanks to the return of Kang The Conqueror and it’s up to the new characters to come together as a new team. This is due to an emergency protocol put in place and executed by Iron Man before the Avengers were captured.

This alone is what makes the episode so beloved by fans: rather than the Avengers they’re so used to, most of the episode focuses on Spider-Man, Wolverine in his classic yellow suit, War Machine. , Ben Grimm, Luke Cage and Iron Poing. The New Avengers were enjoyable with unique joke and action scenes that might have been a spinoff series if the series hadn’t been canceled.

2 Prisoner of War (S2, E10) – 8.9

Captain America questions a Skrull in Avengers: Earth's Mightiest Heroes

During the Skrull Saga, Captain America was taken prisoner by the invaders. War prisoner features Cap’s time as a prisoner and his escape alongside other hapless kidnappers, some of them even villains from the past. War prisoner is interesting because Captain America is the only Avenger present.

Typically, Earth’s Mightiest Heroes juggles multiple storylines in one episode, but this one is mostly about Steve Rogers trying to escape. It is reminiscent of classic prison escape movies. It gives the episode an experimental feel, trying to be a genre piece rather than a normal superhero game, which is commendable.

1 A day like no other (S1, E26) – 9.0

Avengers chat with Odin on Asgard in Avengers: Earth's Mightiest Heroes

Much like the comics and the first Avengers movie, it’s Thor Loki’s brother who ends up being the big bad in the end of Season 1 of Earth’s Mightiest Heroes. It continues the story of The Fall of Asgard with Loki still on Odin’s throne and the Avengers are separated across the Nine Realms.

With the other eight realms now destroyed, Midgard is all that’s left and it’s up to the Avengers to stop Loki. While Earth’s Mightiest Heroes never escaped the darker elements, this finale felt darker than the Kang and Ultron sagas before, feeling like an epic conclusion to the beloved first season with lots of twists, turns and giant action sequences .

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12 Minute Movie References Explained https://montecarlofilmfestival.com/12-minute-movie-references-explained/ https://montecarlofilmfestival.com/12-minute-movie-references-explained/#respond Sun, 22 Aug 2021 15:13:00 +0000 https://montecarlofilmfestival.com/12-minute-movie-references-explained/

12 minutes, an elegant thriller in a time loop, carries within it the love of cinema of the developer Luis Antonio through various allusions and tributes. The most obvious of these is of course the time loop mechanism itself, which is immediately reminiscent of the 1993 film. Groundhog day. References to cinema in 12 minutes are more complex and nuanced than the link between time-looped narratives and groundhog daybecause these stories are popular in a variety of movies and video games. The game is both thematic and visual interspersed with references to the cinema of Alfred Hitchcock, Stanley Kubrik and to film genres in general.

Luis Antonio was quite candid about how the films influenced 12 minutes, from placement to casting. The game’s puzzling ending and unreliable narrator become a clear product of it once all of the film’s references are examined and understood to be in conversation with movie history. While some of these references are obvious, others are more subtle and require contextualization.

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12 minutes: the actors and the setting

the shiny carpet

One of the most obvious links with cinema in 12 minutes is the cast. Luis Antonio used the role of James McAvoy in Dirt to help him design the protagonist; McAvoy also received praise for his role in To divide and A glass, in which he plays a character with dissociative identity disorder. Daisy Ridley is of course famous for her role in Star wars and thus brings with it a feeling of a great blockbuster. She has also completed projects in a variety of genres since Star wars, such as The Orient-Express. Finally, Willem Dafoe is well known for his roles in artistic and experimental films that play with reality, such as Lighthouse Where Antichrist.

There is only one named character in the entire game, which emphasizes how well these actors perform in the base character game. This is not uncommon in experimental and arthouse cinema, where attention is shifted from the narrative of a film to its artifice; this type of cinema deliberately draws attention to itself to encourage the viewer to ask big questions. 12 minutes deconstructs the typical narrative by having nameless and untrustworthy characters; as such, it becomes a more abstract story.

The setting of 12 minutes in one apartment is inspired by films like Rear window and The brilliant. These films seem claustrophobic and the enclosed space usually drives their protagonists to madness. The repeated gameplay of 12 minutes likewise is sometimes exhausting and frustrating, as it would be to relive the same 12 minutes over and over again; there is little effort to make the player more comfortable as this is mostly an intentional part of the gameplay. Even the carpet in the hallway at the start of the game pays a direct tribute to The shiny, in which the pattern of the rug is a repeated motif and an allusion to the growing insanity of Jack Torrence.

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Voyeurism and confrontation in 12 minutes

12 minutes

NOTE: Trace spoilers from here.

Some of the less obvious ties to cinema come from the structure and themes of 12 minutes. Once the protagonist’s true identity is revealed, it becomes clear that the game intentionally misled audiences. At this point in the game, the non-linear storytelling and slow revealing of clues is similar in many ways to movies like Memento. Additionally, the unusual narrative structure intentionally makes the player uncomfortable. To understand how 12 minutes uses this discomfort, it is worth noting the visual and narrative similarities to Michael Haneke’s cinema and the broader cinematic traditions it represents.

The inability to look at husband and wife in 12 minutes being captured or killed multiple times by the cop is reminiscent of Haneke’s movie Funny games, in which he uses long still shots during a brutal home invasion. Likewise, the identity of the home invaders in this film is unclear, as is the cop in 12 minutes. In Funny games, Haneke breaks the Fourth Wall multiple times to remind viewers that this is a movie they are watching (emphasizing a larger question of why people watch violent movies).

One way Funny games is it asking the invaders to use a TV remote control to rewind the actual events of the movie, while 12 minutes repeatedly rewinds the husband to the starting point to undo the events he has made. The fact that no concrete answer is given regarding the time loop (although there are a few clues), and it draws players’ attention to the fact that this is a game.

Common themes in Haneke’s film include surveillance and voyeurism. In Hidden, The Laurent family’s video recordings fill the screen for moments in the film, giving audiences the impression of being as sinister as the one recording that footage. 12 minutes The top down view evokes that feeling of spying on husband and wife throughout the traumatic events of the game. There is even a slight static effect on the game that makes it feel like a surveillance footage in which the subject does not know that it is filmed.

Finally, the game has a conflicting subject that challenges the player, which is common in Haneke’s films and also in films like Park Chan-wook’s. Old boy. The exploration of taboo subjects can be found in arthouse, independent and some national cinemas; its shock factor is usually designed to confront the viewer and make them a more active viewer. The debate between what makes an active versus a passive audience dates back decades in cinema, but in general, video games are considered to have a more active audience because they involve interaction.

The style and subject of 12 minutes Certainly not everyone will enjoy it, but there’s a reason for some of its more confusing or frustrating elements. This game was very well designed to incite debate, speculation and discussion and was inspired by the traditions of cinema to do so. Without a doubt, there are more movie references scattered around this game, but the connections above help explain some of the main talking points about this game.

12 minutes is now available on PC, Xbox One, and Xbox Series X / S.

MORE: 12 Minutes: How To Find The Pocket Watch


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‘Val’: a candid portrayal of actor and star Val Kilmer https://montecarlofilmfestival.com/val-a-candid-portrayal-of-actor-and-star-val-kilmer/ https://montecarlofilmfestival.com/val-a-candid-portrayal-of-actor-and-star-val-kilmer/#respond Sat, 21 Aug 2021 22:57:28 +0000 https://montecarlofilmfestival.com/val-a-candid-portrayal-of-actor-and-star-val-kilmer/

Photo: ‘Val’

What do you know about Val Kilmer? That he was Batman in Joel Schumacher’s campy ‘Batman forever‘? That it was notoriously difficult to work with him during the disastrous production of “L’île du Dr Moreau”? Or that he had a two-year battle with throat cancer? You may be familiar with the work of Val Kilmer, an actor who has always considered himself a “serious actor” despite some silly roles as in ‘Top Gun‘, but you might not know Val Kilmer’s life. “Val” by Leo Scott and Ting Poo is a documentary composed of narration and personal images that Val Kilmer himself filmed, creating a self-reflective portrait of not only Val Kilmer, but also any member of the audience who sits on it. ‘identifies as an artist.

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‘Val Kilmer’ – The Beauty of the Self-Chronicle

We live in the era of the auto-chronicle, where we recount our daily life with our phones and cameras. Val Kilmer has taken a step ahead by filming his life from childhood and into his adult life. The movie is mostly made up of those family movies, from the movies Val shot as a child with his brothers to the behind the scenes footage that Val shot on set from the movies to the home audition tapes that Val himself took. filmed. These sequences are some of the most charming parts of the movie, to see Sean Penn and Kevin bacon moon Kilmer’s camera to watch Val’s audition tapes for famous movies he didn’t get the role for like ‘Goodfellas‘ and ‘Full Metal Jacket‘.

After fighting a two-year battle with throat cancer which caused long-term effects for Kilmer (Kilmer’s voice is now impaired, the film uses subtitles when he speaks and his son does the voice. off the film in his place), Kilmer, like many struggling artists, felt more compelled than ever to tell his story. The beauty of Val’s efforts to film his life is that even with a strain in his voice, he is able to share his story and relive his life. Through his home movies, he and the audience can see how his life has evolved and how far he has come. That alone creates a heartwarming and even inspiring film, where we can’t help but feel a new appreciation for life upon seeing Val’s dedication and appreciation for her own life.

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Val’s family films also create a hopeful family theme in the film, as does the current footage from the movie of Val with his children and ex-wife. With a lot of footage we see a side of Val Kilmer that we don’t see too often and that’s how close he is to his family. There are old family movies of Val doing cheap movies with his brothers, current footage of Val spraying a silly string on his son, and a whole footage of Val visiting his alma mater with his son. Heck, his son, Jack, even does his father’s voice, reading the words his father wrote. With the family aspect in this movie, it’s easy to see that Val not only tells his life story for us but also for his children, leaving them a tangible tale of who he is and who their family is. He leaves them a diary that they will hopefully share with their own children one day so that Val’s story will last forever.

“Val”: representation or performance

Val ‘is a raw documentary where Val Kilmer is the most vulnerable and thoughtful. With Val’s constant discussions about the importance of taking action to him, from sharing his intense method of action stories to his desire to be seen as a “serious actor,” one has to wonder just how important Val is. honest, especially looking at the footage shot during the set turbulence of ‘Dr Moreau’s Island’. Val is a performance artist, even becoming more experimental later in life, so you have to know: Is “Val” an honest portrayal of the actor or a performance of how the actor wants to be perceived?

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The documentary functions both as a diary in which Val Kilmer lets the world take a peek and as a presentation of how good Val Kilmer is as a performer. Much of the film feels like reminding audiences of who Val Kilmer is now. He is no longer the young man in the photos with whom he still signs autographs, he has grown up and is much more complicated than “the guy who played Batman”. While the film appears to be a way for Val Kilmer to reclaim the stardom he once had, such as his solo show focused on Mark Twain before his cancer diagnosis, and therefore can be questioned as to the reliability of the film’s purpose.

The film begins with Jack Kilmer’s voiceover indicating that the film is about an actor, especially where the actor ends and the character begins. After watching the film, remembering this statement can lead to many questions. While Val has all of the raw house pictures and honest stories, it’s all his point of view after all. How honest is his own perspective on the events of his life? While the events of the film are not a performance, does Val see his current character as a mere performance? Is there a difference between the titular “Val” and the real Val Kilmer? The film, acting like a diary, does not give a clear answer to these questions raised, which is probably for the best, leaving audiences to wonder if Val is playing and if they or they also only perform a desired character.

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Conclusion

Fans of Val Kilmer’s work, from his’ 80s films to his modern performance art, will love the documentary ‘Val’ and its raw portrayal of the captivating figure. Fans of Val Kilmer will also appreciate the film’s use of personal footage, enjoying watching Val goof up with other big stars and all of his failed audition tapes. Artists of all kinds will also likely feel moved by the depiction of inspiration and art in the film, how art helps us through the most difficult times, how we all perhaps live thanks to the performance. ‘Val’ is a raw and emotional portrayal of not just an actor, but a human being.

‘Val’ is available to stream on Amazon Prime.

Directors: Leo ScottTing Poo

Written by: Val Kilmer

Actors: Val Kilmer, Jack Kilmer, Mercedes Kilmer, Joanne Whalley

Through Brianna benozich

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