Independent films – Monte Carlo Film Festival http://montecarlofilmfestival.com/ Wed, 15 Sep 2021 22:55:06 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://montecarlofilmfestival.com/wp-content/uploads/2021/06/cropped-icon-32x32.png Independent films – Monte Carlo Film Festival http://montecarlofilmfestival.com/ 32 32 California’s $ 330 Million Incentives Not Enough, Independent Producers Say | Characteristics https://montecarlofilmfestival.com/californias-330-million-incentives-not-enough-independent-producers-say-characteristics/ https://montecarlofilmfestival.com/californias-330-million-incentives-not-enough-independent-producers-say-characteristics/#respond Wed, 15 Sep 2021 22:55:06 +0000 https://montecarlofilmfestival.com/californias-330-million-incentives-not-enough-independent-producers-say-characteristics/

Weeks after the governor of California made available an additional $ 330 million in tax incentives for at least the next two years, independent producers are still unimpressed with a system they say does not go far enough. to support the community. The government’s strengthening of the 3.0 $ 1.55 billion Film and Television Tax Credit program, which was introduced last year and allocates $ 330 million annually for the next five fiscal years through ‘in 2025, headlines. However, Senate Bill 144 passed in July by Democratic Gov. Gavin Newsom – who was eager to win Hollywood favor as he approached his victory in Tuesday’s recall election that threatened to oust him from office. functions – is designed to attract and maintain top-budget TV productions and features such as HBO Westworld and Sony’s action thriller Brad Pitt High-speed train, both of which benefited from tax credits.

A large community of independent filmmakers in California have grown accustomed to using other incentive programs across North America due to inadequacies in their own state. The 3.0 program administered by the California Film Commission has some money in store for them, but it involves a complicated application process and is insufficient. The latest iteration of the state program reserves 8% or $ 26.4 million of the total annual allocation of $ 330 million to the self-employed, an increase from 5% or $ 16.5 million of the same. annual sum awarded under program 2.0.

Allocations below 3.0 are split between qualifying independent productions of $ 10 million or less, which have access to $ 15.84 million or 4.8% of the pie, and those over $ 10 million, which must share a share of $ 10.56 million or 3.2% of the total annual endowment. Projects with a budget of at least $ 1 million are eligible for a 25% transferable tax credit that applies to the first $ 10 million of eligible expenses. There is more than one allocation cycle for entity projects each fiscal year. January 2022 will be the next cycle and growers can expect a response around a month later. The commission decides who gets what based on the ranking of the employment ratio, a complex equation that determines which productions will create the most jobs, and therefore bring the state the most tax revenue.

Non-independent bias

The 3.0 program makes $ 115 million in tax credits or 35% of the pie available for non-independent studio and streamer functionality; $ 132 million or 40% of the total allocation to new television series, recurring series, pilots and mini-series; and $ 56.1 million or 17% for the relocation of television series. “As an independent producer, I can’t watch the California state program with any level of confidence that we’re going to get anything,” notes William Santor of producer-financier Productivity Media. “They want to be in the studio business, which I understand because they want to keep it there rather than going to Georgia or New York or Louisiana, but that doesn’t do anything for the independent sector.”

“The independent feature film tax credit is very different from the rest of the tax credits offered in that it is a transferable tax credit,” explains Michael Heimler, director of production and Black Bear Pictures finances. “It’s not a discount – you have to sell your tax credits at a reduced rate… It’s only really beneficial for independent productions to a very limited extent, whereas if you had to go to other places. like Georgia or Massachusetts or Toronto or Vancouver, you might be able to receive a much larger amount.

Even before an independent producer can get money by selling the tax credit at a discount to a lender like Three Point Capital or Forest Road (who act as brokers and transfer the credit to a buyer who will use it to reduce his tax payable), he must go through the long process of developing a budget plan and applying for credit. As an award-winning independent film producer, there’s little motivation to spend a lot of time doing this when the larger independent production companies with more resources can submit a handful of projects, see what sticks and “take advantage of the. tax credits ”.

“We work with states like Oklahoma, North Carolina, and New Mexico; you submit an application, it takes them four to six weeks to turn it over, then you go through a process to make sure it meets their state guidelines and go over budgets and schedules, ”says Keith Wells, based in California, number 11 Entertainment.

“What’s different with California is that you have to plan the shoot a year, a year and a half in advance before you even submit the application. This means that you have to lock in talent early on, which if you do it far, usually means agents want a deposit or something like that to retain talent. So for small indie films it doesn’t work.

Wells would like to shoot his action movie Wild forest in the state he lives in but has looked further. “There is a lack of interest in having a robust tax incentive usable for independent films,” he comments.

Arclight Films chief financial officer Brian Beckmann says that while he applauds the state’s efforts, it doesn’t make much of a difference for independent filmmakers. “Sure, there will be a slight increase, but the percentages and the way they go about it just isn’t as competitive as some of the other states, as well as other countries. With federal and state tax credits in Canada, it’s almost more profitable to just cross the border.

California Film Commission executive director Colleen Bell said efforts have been made to ensure independent productions get the help they need. Thirteen independent feature film projects from 23 films just awarded in the July cycle include $ 2.5 million in tax credits for Poolman by Barry Linen Productions and $ 262,000 for Deadly Instinct’s Bad death. Major projects like Universal’s untitled Jean-Marc Vallée project will receive $ 17.3 million, while Netflix will receive $ 15.8 million for the cop from beverly hills 4.

“We recognize that the application process for independent filmmakers can be arduous as the application is complicated and requires staff and people familiar with developing these budget plans and understanding the rules,” Bell admits, adding that program staff understand. people who were former film and television producers.

“We work very hard to help all these productions and filmmakers who apply by supporting them throughout our application process. It is important that they feel that they are competing on an equal footing, and we want to give them a sense of confidence and certainty that they are doing so.

The production quarantine in Canada is lifted

Lakewood

U.S. growers look to head north in numbers as Canada loosens border restrictions and quarantine rules

The easing of Canada’s border restrictions with the United States and the rest of the world is the latest move that has boosted production in the country to such an extent that producers say it has become difficult to access crews and to the facilities. The federal government executive order that as of August 9 any fully vaccinated U.S. citizen or permanent resident can enter the country follows a July rule change that allowed U.S. talents and teams with exemptions from work to forgo a 14-day quarantine that had been in place from earlier in the pandemic.

Producers say removing the quarantine will cut budgets by 10-30%. “We were waiting for that to happen,” says Brian Beckmann, CFO of Arclight Films, which is preparing for a Canadian shoot later this year. “Quarantine was a huge expense. It was complicated, whether it was visas or additional entry formalities, accommodation and working with talented agents.

XYZ Films founding partner Nick Spicer said the quarantine meant the company had put some productions on hold to avoid “a planning nightmare for actors and filmmakers.” However, he remained involved in all-Canadian productions. In contrast, Limelight filmed the thriller Naomi Watts and the world premiere of Toronto Lakewood in Ontario last summer after being quarantined.

Michael Heimler, head of production and finance at Black Bear Pictures, the Los Angeles-based company behind The Imitation Game and I Care A Lot, filmed The Marsh King’s Daughter in Toronto this year when all non-Canadian elements, including director Neil Burger and stars Daisy Ridley and Ben Mendelsohn had to endure quarantine.

More than 73% of the Canadian population is now fully vaccinated, according to Covid-19 Tracker Canada, and more than 75% in Ontario according to the latest data from CBC. Motivation to film in Canada is high – while remaining cautious amid the wave of Delta variants – due to the insurance support program, incentives and favorable exchange rate. “There are so many people everywhere because everyone is doubling production, taking this time to move forward. And consumption is at an all-time high, ”says Berry Meyerowitz, President of Quiver Distribution. “I don’t think Canada has slowed down at all. You will see more Americans come in.

Jeremy Kay

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Spanish film queen Penelope Cruz wins best actress award in Venice https://montecarlofilmfestival.com/spanish-film-queen-penelope-cruz-wins-best-actress-award-in-venice/ https://montecarlofilmfestival.com/spanish-film-queen-penelope-cruz-wins-best-actress-award-in-venice/#respond Sat, 11 Sep 2021 18:22:13 +0000 https://montecarlofilmfestival.com/spanish-film-queen-penelope-cruz-wins-best-actress-award-in-venice/

Published on: Amended:

Venice (AFP)

Penelope Cruz won the award for best actress at the Venice Film Festival, the latest success of the conquering queen of Spanish cinema.

Cruz won the award for his lead role in “Parallel Mothers”, his latest collaboration with legendary Spanish director Pedro Almodovar.

It was a surprisingly political turning point for the flamboyant filmmaker, exploring the trauma of the 1930s Spanish Civil War alongside the story of two mothers sharing a motherhood.

It marks a departure into dark historical territory for the director, while also focusing on the themes of motherhood and female relationships that have been central to many of his films.

Cruz described Almodovar as “my safety net” at a press conference ahead of their red carpet appearance in Venice.

“He can ask me to do something that can really scare me, but I know he will be there to support me,” she said, adding that she was grateful to the director for giving her “so much. different and stimulating characters “.

Cruz has appeared in seven of Almodovar’s films, including “All About My Mother” and “Volver”.

She’s had a busy fortnight in Venice, also starring in the much-loved “Official Competition,” a comedy about self-centered people in the film world that saw her in a rare appearance alongside her Spanish megastar Antonio Banderas. .

– Young talent –

Born in Madrid in 1974, she seemed destined for a career in entertainment, first studying ballet at the National Conservatory of Spain before winning an acting competition that led her to roles on television and in plays. music videos.

His debut in the cinema took place in “Jamon, Jamon” by Spanish director Bigas Luna in 1992, which was to critical acclaim and stood out for its erotic scenes featuring Cruz, 16, and Javier Bardem, who would become much later her husband.

This was just the latest in a series of collaborations with Almodovar Philippe MONTEFORTE AFP

This was followed soon after by “Belle Epoque,” ​​which won the Oscar for Best Foreign Film, and featured Cruz as one of four sisters vying for the love of an army deserter. .

The next step came in 1997, when she was chosen for her first Pedro Almodovar film.

“Live Flesh” marked the start of a ten-year collaboration between Almodovar and the actress that included roles in another Oscar-winning foreign language, “All About My Mother” in 1999.

– The struggles of Hollywood –

Cruz had difficulty establishing himself in the general public of Hollywood.

She achieved a rare but undesirable feat in 2001 when she received three Oscar nominations “Golden Raspberries” for “Captain Corelli’s Mandolin”, “Blow” and “Vanilla Sky”.

The latter hired her alongside Tom Cruise, with whom she ended up dating him for three years.

Other flops followed, notably “Gothika” and “Sahara”.

But she bounced back, netting an Oscar nomination for Almodovar’s 2006 film “Volver.”

And she made history when she became the first Spanish actress to win an Oscar in 2009 for her role in Woody Allen’s comedy “Vicky Cristina Barcelona”.

She was once again associated with Bardem in this film, triggering a romance that led to their marriage in 2010.

The fiercely independent Cruz is also wary of being typified simply for her striking physical beauty.

“The hardest thing in the world is to start a career known only for the looks and then to try and become a serious actress,” she said.

“No one will take you seriously once you get to know the pretty woman.”

burs-er / dd

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Watch the first official teaser for “Don’t Look Up” https://montecarlofilmfestival.com/watch-the-first-official-teaser-for-dont-look-up/ https://montecarlofilmfestival.com/watch-the-first-official-teaser-for-dont-look-up/#respond Wed, 08 Sep 2021 20:40:01 +0000 https://montecarlofilmfestival.com/watch-the-first-official-teaser-for-dont-look-up/

In the first seconds of the Do not seek first official trailer, Leonardo DiCaprio portrays all of our internal states as the world crumbles around us.

Dr. Randall Mindy (DiCaprio) hyperventilated in the bathroom, turning to the mirror to remember, “You are here now.” As his panic attack unfolds, we see footage of him working alongside Kate Dibiasky (Jennifer Lawrence) and get a brief glimpse of an extremely star-studded supporting cast that includes Cate Blanchett, Timothée Chalamet, Rob Morgan and Tyler Perry.

“Your breathing is stressing me out,” Jason Orlean (Jonah Hill) finally said during a meeting in the Oval Office with President Janie Orlean (Meryl Streep) to discuss something that, as Randall reminds Jason, “will affect the entire planet. “

“I know,” Jason scoffs, “but it’s, like, so stressful.”

What is so stressful? More stars scroll across the screen with anticipatory music playing in the background. Ariana Grande! Kid Cudi! Ron Perlman! Marc Rylance!

“There’s a comet heading straight for Earth,” Kate explains in the Oval Office.

“Do you know how many ‘the world is ending’ meetings we’ve had in the past two years? President Orleans retorts as his annoyed and clearly titled son rolls his eyes with a sigh.

“Drought, famine, hole in the ozone layer,” asks Jason. “It’s so boring.”

Deadline provided a more cohesive synopsis of the film:

“Kate Dibiasky (Lawrence), a graduate student in astronomy, and her professor, Dr. Randall Mindy (DiCaprio) make an astonishing discovery of a comet orbiting the solar system. The problem is on a collision course. direct with Earth. The other problem “Nobody really seems to care. It turns out that warning humanity of a planet killer the size of Mount Everest is an inconvenient fact to navigate. With the help of Dr Oglethorpe (Morgan), Kate and Randall embark on a media tour that takes them from the office of indifferent President Orlean (Streep) and her sycophantic son and chief of staff Jason (Hill) to the airwaves from The Daily Rip, an animated morning show hosted by Brie (Blanchett) and Jack (Perry) Just six months away from the comet’s impact, managing the 24-hour news cycle and grabbing the attention of obsessed audiences by social media before it’s too late is incredibly comical. “

Directed and written by Adam McKay, Do not seek has a theatrical release on December 10 before hitting Netflix on Christmas Eve. Watch the teaser below.

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Documentary films employ more women than narrative films: SDSU https://montecarlofilmfestival.com/documentary-films-employ-more-women-than-narrative-films-sdsu/ https://montecarlofilmfestival.com/documentary-films-employ-more-women-than-narrative-films-sdsu/#respond Wed, 01 Sep 2021 23:19:43 +0000 https://montecarlofilmfestival.com/documentary-films-employ-more-women-than-narrative-films-sdsu/

SAN DIEGO, CA – Documentary films continued to employ higher percentages of women in behind-the-scenes roles than independent narrative feature films in 2020-2021, according to a report released Tuesday by the director of the Center for the Study of Women in Television and Film at San Diego State University.

According to the findings of Martha M. Lauzen’s “Indie Women” report, women made up 42% of those working as directors, screenwriters, producers, executive producers, editors and directors of photography on documentaries compared to 35% of those working on documentaries. streaming / screening narrative feature films. at 20 top film festivals in the United States

The study also showed that festivals broadcast / screened an almost equal number of documentaries made by women – an average of seven – than by men – – an average of eight. Festivals screened an average of six narrative feature films directed by at least one woman compared to an average of nine narrative feature films directed exclusively by men.

“The results confirm that women continue to enjoy higher employment rates in documentaries than in narrative feature films,” Lauzen said. “Each iteration of this study since 2008 has shown that women fare better in the world of documentaries.”

In all but one of the behind-the-scenes roles, documentaries employed higher percentages of women than narrative films. Women represent 41% of directors on documentaries against 37% on narrative feature films; 45% of executive producers on documentaries against 31% on narrative feature films; 50% of producers on documentaries against 40% on narrative feature films; 40% of publishers on docs versus 34% on narrative features; and 26% of directors of photography on documentaries against 19% on narrative feature films.

It was only as writers that the percentage of women working in narrative films narrowly exceeded that of women working on documentaries – 37% versus 35%, respectively.

Films with at least one female director had significantly higher percentages of women working as screenwriters, editors and filmmakers. The percentages of women working in other key behind-the-scenes roles have more than doubled. For example, on films with at least one director, women made up 33% of cinematographers. On films with all-male directors, women made up 12% of cinematographers.

First produced in 2008, the Indie Women report examines the employment of women in domestically produced and independent feature films streamed / screening at 20 leading US festivals, including AFI Fest, SXSW Film Festival and the New York Film Festival. This year’s report examined 7,452 credits out of 582 films.

Lauzen has been researching the portrayal and employment of women on screen and behind the scenes in film and television for more than two decades. She is the Founder and Executive Director of the Center for the Study of Women in Television and Film at SDSU.

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Goutam Ghose’s “Raahgir” Wins Four Awards at the South Asian Film Festival in Washington DC https://montecarlofilmfestival.com/goutam-ghoses-raahgir-wins-four-awards-at-the-south-asian-film-festival-in-washington-dc/ https://montecarlofilmfestival.com/goutam-ghoses-raahgir-wins-four-awards-at-the-south-asian-film-festival-in-washington-dc/#respond Tue, 31 Aug 2021 06:54:49 +0000 https://montecarlofilmfestival.com/goutam-ghoses-raahgir-wins-four-awards-at-the-south-asian-film-festival-in-washington-dc/

Filmmaker Goutam Ghose’s film “ Raahgir ”, starring Adil Hussain and Tillotama Shome, won four awards at the South Asian Film Festival in Washington DC.

According to the film’s producers, the film won awards for Best Feature Film, Best Director for Ghose, Best Female Actor for Shome and Best Male Actor for Hussain.

” We are happy to announce that the #Raahgir team is winning top awards at DCSAFF – Washington DC South Asian Film Festival, ” read the post on the film’s official Facebook page.

The festival, which showcases South Asian alternative and independent cinema, was held from August 28-29, 2021. Shome also shared the news in a Twitter post and congratulated the entire team.

Thank you @DCSAFF for honoring @raahgirthefilm. Deeply grateful. Congratulations to #GoutamGhose @_AdilHussain @itsamitagarwal and the whole team, ”she tweeted.

In June of this year, ” Raahgir ” had won two awards at the prestigious UK Asian Film Festival 2021 where Ghose was named best director and Shome won the trophy for best female actor.

Ghose told PTI earlier that the film is about the people of rural India, tribal hamlets, their dreams and battles, and how the perception of reality differs in cities and rural areas.

(This story was not edited by Devdiscourse staff and is auto-generated from a syndicated feed.)

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Where was Cheer For Your Life filmed? Is this a true story? Lifetime Casting Details https://montecarlofilmfestival.com/where-was-cheer-for-your-life-filmed-is-this-a-true-story-lifetime-casting-details/ https://montecarlofilmfestival.com/where-was-cheer-for-your-life-filmed-is-this-a-true-story-lifetime-casting-details/#respond Sat, 28 Aug 2021 19:15:03 +0000 https://montecarlofilmfestival.com/where-was-cheer-for-your-life-filmed-is-this-a-true-story-lifetime-casting-details/

Directed by Jared Cohn, Lifetime’s “Cheer For Your Life” is a thriller centered around a young high school girl who enthusiastically joins the cheerleading squad without the knowledge of the horrors that are about to unfold. When the “Introductory Cheerleader Week” turns out to be humiliating instead of uplifting, high school morale collapses. However, things take a much darker turn when one of the cheerleaders is found dead. Before the mystery behind the murder is solved, the new cheerleader herself disappears. It’s the start of a race against time for her mother, who decides to take matters into her own hands.

The unfolding drama is sure to keep viewers on the edge of their seats. They may also want to know more about the production of the film or the details of the cast. At the same time, some will begin to wonder if the plot is inspired by an actual incident. If you are looking for similar information, look no further; we’ve got you covered.

Cheer For Your Life Filming Locations

The thriller was shot entirely in Oklahoma. More than 20 locals were hired and they provided the filmmakers with much needed help to ensure a smooth filming at a time when COVID-19 was wreaking havoc around the rest of the world. Principal photography began on August 26, 2020 and would have ended a few days later on September 15, 2020. Let’s learn more about the specific filming locations of the Lifetime movie.

Oklahoma City, Oklahoma

Production of the film took place primarily in Oklahoma City. Thanks to the region’s lucrative tax relief program, the city has seen a surge in film and television production projects over the years. The film industry now offers significant employment opportunities to residents and is expected to continue to do so.

Even when production in the rest of the world took a hard hit due to the coronavirus pandemic, Oklahoma City and surrounding areas continued to host filming of project after project. ‘Cheer For Your Life’ was also filmed at several locations in and around the region.

Cheer For Your Life Cast

The film stars Grace Patterson as Cindy Braverman and Allison McAtee as Meg Braverman. While the former is best known for the TV movie “Psycho Storm Chaser”, the latter is famous for her role in the independent film “Bloomington”. Anna Belle Bayley, who you might recognize from “The Wrong Boy Next Door” tries out the role of Fiona Sparks. Marisa Lynae Hampton appears as Allison Regan, and Rachel Ogechi Kanu portrays Rachel Kanu.

Other notable cast members include Paige Kriet as Amber Halliday, Randy Wayne as Bill, Jacob Dever as Evan, Angie Pack as Coach Jamison, Leah NH Philpott as as Miss Parker, Connie Franklin as Mrs. Regan, Roger Dorman as Officer Hanson, Christina Simone Patterson as Kylie Simpson, Derek Kenney as Lenny, Warren Gavitt as Adam Walker, Casey Culbertson as Becca, Priscilla Wenzel as Sharon, MacKenzie Avery as Jade, Baylee Schroeder as Claire and J. Casey Murphy as Brent.

Is Cheer For Your Life based on a true story?

No, ‘Cheer For Your Life’ is not based on a true story. Credit for the premise of the films goes entirely to writers Lee Gorlitz and Dave Hickey. While some viewers may have thought the film was inspired by an actual case of multiple school murders, the Lifetime film, which has an entirely fictional premise, is not.

In fact, Hickey has already been involved in several other films (albeit as a coordinator or development assistant) like “Who Kills Cheerleaders?” “,” A Killer in My Home “,” Killer Single Dad “and” Killer Mom “, which explore the depraved desires of a murderer. Director Jared Cohn is therefore just another film that delves into murder mystery themes.

Although there are countless films that revolve around somewhat similar plots, but “Who Kills Cheerleaders?” Shares striking similarities with “Cheer For Your Life”. Just as the mysterious murderer appears to be killing one cheerleader after another, the Ella Cannon and Austin Freeman star also introduces audiences to a high school where cheerleaders are the target of an elusive serial killer. .

Dave Hickey seems to have benefited a lot from his experience working on “Who Kills Cheerleaders?” and, along with Lee Gorlitz, he made up a somewhat similar high school murder mystery story. With the aforementioned points in mind, it’s safe to assume that the Lifetime movie isn’t a true story.

Read more: Best thriller movies


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Hong Kong to start retroactively banning films | Taiwan News https://montecarlofilmfestival.com/hong-kong-to-start-retroactively-banning-films-taiwan-news/ https://montecarlofilmfestival.com/hong-kong-to-start-retroactively-banning-films-taiwan-news/#respond Wed, 25 Aug 2021 11:17:00 +0000 https://montecarlofilmfestival.com/hong-kong-to-start-retroactively-banning-films-taiwan-news/

TAIPEI (Taiwan News) – Hong Kong is set to expand its film censorship regulations with an amendment that will allow the government to retroactively ban old films, according to reports.

Under a proposed amendment to the Film Censorship Ordinance on Tuesday, August 25, unauthorized showing of retroactively banned films will be punishable by a fine of HK $ 1 million (US $ 128,000) and a maximum sentence of three years in prison. The authorities will have the power to search cinemas and other screening venues at will, and the licenses of offenders may be revoked.

The amendment will have its first and second readings in the city’s Legislative Council next week. He should pass, as almost all dissenting voices have already been removed from the body.

Targeting content deemed a threat to national security, the amendment seeks to bring the city’s once famous film industry into retroactive compliance with Beijing’s Hong Kong National Security Act, which criminalizes expressions deemed subversive, secessionist or tolerant of terrorism, in addition to prohibiting “collusion with foreign or external forces.

The Territory announced in June that the films would need censor approval before release, but the new amendment seeks to apply the same principle to the back-catalog.

“Any film intended for public display, past, present and future will need to get approval,” said Edward Yau (邱騰華), the city’s commerce secretary, according to The Guardian.

Decisions to ban films on national security grounds will be difficult to appeal, with the process redirected through judicial reviews, which is a long and expensive road, according to the English newspaper.

Independent director Vincent Tsui told Radio Free Asia (RFA) that he will continue to make films as he pleases.

“Shooting the movies shouldn’t be a problem,” he said. “If they won’t let me show it, so be it; it’s on them.

Tin Kai-man (田啟文), actor and spokesperson for the Hong Kong Federation of Filmmakers, told RFA he was concerned about the vagueness of the wording surrounding the term “national security”.

“Will criticizing the government now be considered a violation of national security law?” ” He asked. “We need to be clear whether we are allowed to criticize the government now or not. “

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The new Colchester Indie Short Film Festival will take place in September https://montecarlofilmfestival.com/the-new-colchester-indie-short-film-festival-will-take-place-in-september/ https://montecarlofilmfestival.com/the-new-colchester-indie-short-film-festival-will-take-place-in-september/#respond Mon, 23 Aug 2021 13:47:22 +0000 https://montecarlofilmfestival.com/the-new-colchester-indie-short-film-festival-will-take-place-in-september/ A NEW independent short film festival will take place in Colchester next month.

The Colchester Indie Short Film Festival will be held in Curzon, on Queen Street.

Created by Nick Pelas of the Stage Theater Company, the festival will feature the work of talented independent filmmakers from the borough.

The judges will decide the winner of the best film of the festival as well as the finalist and a popular short film.

Mr Pelas, who lives in Clacton, said: ‘I did all of this on my own without funding or sponsorship to give the region a boost after Covid.

“My background is theater, I have been running the fringe in London since 2008.

“I was originally going to use somewhere in the Hythe or the YMCA in Colchester, but the submissions are of such quality that I chose to use the Curzon.”

Films should be a maximum of 20 minutes long but can be of any genre.

Read more:

Submissions are welcome.

Tickets for the festival, which takes place between 6 p.m. and 9 p.m. on Saturday 25 September, cost £ 12 plus booking fees.

Visit eventbrite.co.uk/e/colchester-indie-short-film-festival-2021-tickets-167757771009 to book or filmfreeway.com/ColchesterIndieShortFilmFestival for more information on submissions.

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Ganju Film Society begins its journey https://montecarlofilmfestival.com/ganju-film-society-begins-its-journey/ https://montecarlofilmfestival.com/ganju-film-society-begins-its-journey/#respond Sun, 22 Aug 2021 17:08:00 +0000 https://montecarlofilmfestival.com/ganju-film-society-begins-its-journey/

Horendro Nath Singh and Sourav Kumar Singh

A new film society named Ganju Film Society, comprising young people from the ethnic minority community of Ganju, began its journey on Thursday, a press release said.

Horendro Nath Singh and Ronjit Kumar were elected respectively chairman and secretary general of the first committee of the film society, which was formed during a program held at the Folk Center in Mohammadpur.

Sourav Kumar Singh was elected Vice President, Suiet Kumar Deputy Secretary General, Praan Kumar Singh Office and Secretary of Finance, Jibon Singh Secretary of Advertising and Publications and Debanondon Singh was elected Executive Member of the Committee.

“The Ganju Film Society was established to promote the culture of the ethnic minority community in Ganju. In addition, we will work to promote the culture of other ethnic minority communities living in Bangladesh, ”Horendro Nath Singh told New Age.

“We will work to broaden the knowledge of young people from ethnic minority communities about cinema. In addition, we intend to produce and screen films and documentaries highlighting our language and our culture. One of our goals is to promote the independent cinema movement in Bangladesh, ”added Horendro Nath Singh.

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“His socialist smile”: Docs Ireland Review | Comments https://montecarlofilmfestival.com/his-socialist-smile-docs-ireland-review-comments/ https://montecarlofilmfestival.com/his-socialist-smile-docs-ireland-review-comments/#respond Sun, 22 Aug 2021 09:05:15 +0000 https://montecarlofilmfestival.com/his-socialist-smile-docs-ireland-review-comments/

Director: John Gianvito. WE. 2020. 93 minutes

The latest photo from documentary filmmaker and video essayist John Gianvito is further reflection on the themes that have occupied much of his career: protest, social injustice, radicalism. The subject of this sparse and stripped-down film is 19th-century activist, activist, speaker, and author Helen Keller. Although celebrated for finding and using a voice as a deaf and blind woman, what she chose to say with that voice – her beliefs were frank and uncompromising from the left – has at times been resented by mainstream American society. and brought it to the attention of J Edgar Hoover. His words – and Gianvito leaves them alone as on-screen texts, without visual or audio accompaniment – are immensely powerful and prescient. Whether this markedly minimal approach to transmitting them is the most effective approach is less certain.

Much of what Keller wrote and said has contemporary relevance

Previous topics Gianvito has addressed include the aftermath of the First Gulf War, with The crazy songs of Fernanda Hussein (2001) and a visual meditation inspired by Howard Zinn’s “A People’s History of the United States” in the multi-award-winning film Profit margin and the whispering wind (2007). His films tend to find their natural place in the more adventurous fringes of the festival circuit, and His socialist smile is no exception – he has had a good string of festivals before and won the Douglas Edwards Experimental / Independent Film / Video Award, from the Los Angeles Film Critics Association.

Keller, who was born in 1880 in Alabama, lost her sight and hearing after illness at 19 months. At the age of seven, she began working with her teacher and lifelong companion, Anne Sullivan, who taught her language, reading and writing, thus opening the doors to the voracious quest for knowledge of Keller. This appetite for learning and her capacity for empathy led Keller to conclude that, although she was physically unable to see, it was American society at large that was blind to the injustices that kept wealth in its hands. of a few and left the workers in the hands of the privileged.

Her activism and the range of topics she has spoken and written about began with the relatively narrow focus of advocating for people with disabilities, raising awareness of the social causes of blindness (she claimed the US government has been “slow – Dishonorable slowness – to protect workers ”). But as she consumed writings such as “New Worlds For Old” by HG Wells and dense texts on economic theory, her reach and authority of her voice expanded. Regarding the Communist Manifesto, she said: “If it is not imposed as a tyranny, it is one of the most beautiful literary works ever written. Much of what she has written and said – her lectures have been met with enthusiasm – has contemporary relevance. She warned that “the unspeakable political interpreters of white supremacy … bode ill for America’s future” and instead hit the nail on the head with her assessment of the ruling classes, “They tell us, like so many. children, may our security lie in voting for them. They throw at us the crumbs of concessions to make us believe that they are working in our best interests.

Ideas have a solidity that makes them enduring. But their performance, on a black screen, supported by a narration by the poet Carolyn Forché and some tangential images of the natural world, is far from convincing. Two devastating fires destroyed much of Keller’s archives, so there are few photographs or footage available for Gianvito. But perhaps a mind as brilliant as Keller’s could have benefited from a more formally daring showcase.

Production company: Traveling Light, Just Films

International sales: Traveling Light, john.gianvito@verizon.net

Producer: John Gianvito

Photography: John Gianvito

Publisher: John Gianvito, Eric P. Gulliver

Music: Martin Marks

Main actors: Carolyn Forché, Noam Chomsky

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