You may not know Phil Tippett’s name, but you are certainly familiar with his work. For 30 years, this Oscar-winning visual effects artist has been working on passionate projects. That fans can finally see at festivals. He is a well-known creature designer who builds amazing creatures.
In movies like the Piranha, Star Wars: Return of the Jedi, RoboCop and Jurassic Park. As Hollywood moved away from the practical effects of computer graphics. Tippett has adapted, but his heart has always been towards stop-motion animation. But beware: the mad god Tippet is a dark and unknown ghost and much more that you can dream of.
While impressive in their descent, all of this style can make you want more content.
Tippett wrote and directed the Mad god and it is a violent revolt. Against Hollywood films built by his reputation. Combining stop-motion animation and breathtaking live performances.
He creates an experimental film without dialogue, without a character name and with a real plot. Thus, his directorial debut was not a narrator but a dive into the darkest recesses of his imagination.
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Our guide on this trip is a truly mysterious figure whose face is hidden behind a gas mask. No facial expression would convey his emotions at any time. Her wardrobe, a cyberpunk mix of metal, rubber and leather that covers her from head to toe. He warns us that the world around him is toxic.
Descending into a rusty diving bell, it sinks deeper and deeper. In a hellish landscape that has erupted from evil, violence, monsters and dirt. Incompatible with the unnamed hero’s heavy protective gear is his tight briefcase, which suggests he’s a man on a mission.
Unfortunately, this mission went from obscure to completely insignificant in no time. From there the Mad god moves indiscriminately in the world of horror.
A tangle of vignettes shows brief but brutal glimpses of an empty narrative world brimming with detail. Scenes of domestic massacres take place in Wayang Kulit. The reckless food chain is opened up by creatures. Who seem to have escaped from a completely different genre film to become flesh.
The monsters were filled with throbbing boils, sagging breasts and bulging buttocks. In general, this miserable world seems to be inhabited by all the fanciful sketches. That a studio director has never dismissed or deemed too shocking for a mass film audience.
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Mad God is a feast for the eyes, but rotten.
The surface shines with mud. The creatures had short, straight, unwashed hair. Blood and blood did not fall in a jet but in a spectacular explosion. This harsh world is so layered with texture that you crave it. You can stretch it out and run your fingers through it. Even with such a dirty and unwanted production design (also from Tippett), who would?
While intentionally disgusting, the animation inside is a beautiful celebration of the traffic stop. Tippett and his team skillfully apply the physical characteristics of these creatures. Whether it’s pulling, rushing or sliding, everyone feels a heaviness in their movement. Which makes even the most surreal animals feel real on screen. So much so that if a realistic actor sneaks into the mix. You can check if they are humans or puppets.
This disgusting visual chaos is amplified by a disturbing sound design. None of the characters speak in the traditional sense. Many will cry, gasp, ring the doorbell or court. Most of the soundscape is hoarse or wild.
However, given the hellish backdrop, a baby’s repeated crunches and screams can be the most haunting sound. Meanwhile, the swollen score resembles a tear from an 80s horror movie. Where the choir sings strangely. While the piano and percussion beat in a menacing frenzy. It all ended with a fuel line worthy of a nightmare.
The goal is to repel the mad God.
Tippett bragged about the outings at the premiere, where viewers complained that the film gave them “a scare attack.” But what is the message of his masterpiece? I’m not sure he did. Mad god is less interested in inconsistency than in experience.
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What you bring back from this swamp of slaughter and creation is up to you. Tippett seems happy to throw his subconscious on the screen and call it a day. As much as it is worth it, in the same interview he suggested that certain substances might help him get his waves. “I would recommend taking a tire, smoking weed. Drink a bottle of wine. or carry a bag of vomit. to watch it.