Tokyo Film Festival creates competition section for Asia

The competition section of the Tokyo International Film Festival will be heavily oriented towards Asian titles, festival organizers said on Tuesday.

The festival has announced the full lineup for its 34th edition, which will take place from October 30 to November 8, 2021 at its new main venues in Tokyo’s Hibiya-Yurakucho-Ginza district. As previously announced, the festival will open with “Cry Macho” by Clint Eastwood and end with “Dear Evan Hansen” by Stephen Chbosky.

The 15-title competition this year includes’ Crane Lantern ‘, the new film by Tokyo Filmex 2020 Grand Prize winner Hilal Baydarov of Azerbaijan,’ Arisaka ‘, an action thriller by young Filipino author Mikhail Red and’ One and Four », A Chinese film film produced by veteran of Tibetan cinema Pema Tseden. Japan is represented by Matsui Daigo’s relationship drama “Just Remembering” and “Third Time Lucky”, the first film by screenwriter Nohara Tadashi.

The jury is chaired by French star Isabelle Huppert.

“We decided to focus more on quality than on world premieres in the competition section,” said new TIFF programming director Ichiyama Shozo, “but it turns out that world premieres represent 11 of the 15 films that we are planning, the rest being Asian Premieres. In addition, we selected films without worrying too much about geographic distribution and ended up with more films from Asia than from Europe and the United States. But a lot of good European films are shown in the World Focus section.

Michael Showalter’s biopic “The Eyes of Tammy Faye”, a pick-up from Toronto, “The French Dispatch” by Wes Anderson, “The French Dispatch”, by Paolo Sorrentino, winner of the Venice Grand Jury Prize “The Hand of God “,” Memoria “, winner of the Cannes Jury Prize by Thai author Apichatpong Weerasethakul,” The Power of the Dog “by Jane Campion,” Last Night in Soho “by Edgar Wright, also premiered at Venice, director of Hong Kong’s “Limbo” by Soi Cheang, who bowed in Berlin, boxing biopic “Gensan Punch” by Brillante Mendoza and “Raging Fire”, a Hong Kong-Chinese action film that was the last which director Benny Chan completed before his death in August 2020.

Other sections include Asian Future section, which features films by emerging Asian directors, World Focus, which features favorites from overseas festivals that have yet to find a Japanese distribution, Japanese Animation, which focuses this year on recently deceased host Otsuka Yasuo, and Nippon Cinema Now. , which brings new Japanese films to international festivals and audiences. This section will also feature a focus of three films on director Yoshida Keisuke, including her latest, “Intolerance”.

This year’s Festival ambassador is actor Hashimoto Ai, who has shot several films in Tokyo, including last year’s audience award winner “Hold Me Back”.

A new initiative is the Amazon Prime Video Take One award for new filmmakers, who have submitted short films for review by a selection jury. Finalists will see their films screened at TIFF, with the winner receiving JPY 1 million and feature development support from Amazon Studios. “We were expecting around 100 applications because the submission deadline was so short, but we ended up with over 200,” Ichiyama said.

Like last year, the TIFFCOM Film and Television Rights Marketplace will be held online from November 1-3, while the Tokyo Filmex Festival will be held in partnership with TIFF from October 30 to November 30. 7 at two sites in Tokyo.

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